Archive for April 16, 2016

askboxmemes:

❤ Favorite Male:
❤ Favorite Female:
Favorite Pairing:
❤ Least Favorite Character:
❤ who’s most like me:
❤ most attractive:
❤ three more characters that I like:

Posted: April 16, 2016 in Uncategorized
Tags: ,

fuckyeahteamjones:

The Daily Doctor—Tuesday, 10 March 2015

Posted: April 16, 2016 in Uncategorized
Tags: ,

astronomicalwonders:

The Mystic Mountain – HH 901

This is a NASA Hubble Space Telescope near-infrared-light image of a three-light-year-tall pillar of gas and dust that is being eaten away by the brilliant light from nearby stars in the tempestuous stellar nursery called the Carina Nebula, located 7,500 light-years away in the southern constellation Carina. The image marks the 20th anniversary of Hubble’s launch and deployment into an orbit around Earth.

The image reveals a plethora of stars behind the gaseous veil of the nebula’s wall of hydrogen, laced with dust. The foreground pillar becomes semi-transparent because infrared light from background stars penetrates through much of the dust. A few stars inside the pillar also become visible. The false colors are assigned to three different infrared wavelength ranges.

Credit: NASA, ESA

Posted: April 16, 2016 in Uncategorized
Tags:

tarmahartley:

coolthingoftheday:

The Last Bookstore in Los Angeles, California.

WOOOOOW! AMAZING!

firemoon42:

  • Do an
    outline,
    whatever way works best.
    Get yourself out of the word soup and know where the story is headed.
  • Conflicts
    and obstacles.
    Hurt the protagonist, put things in their way, this keeps
    the story interesting. An easy journey makes the story boring and boring is
    hard to write.
  • Change
    the POV.
    Sometimes all it takes to untangle a knotted story is to look at
    it through different eyes, be it through the sidekick, the antagonist, a minor
    character, whatever.
  • Know the
    characters.
    You can’t write a story if the characters are strangers to you.
    Know their likes, dislikes, fears, and most importantly, their motivation. This makes the path clearer.
  • Fill in
    holes.
    Writing doesn’t have to be linear; you can always go back and fill in plotholes,
    and add content and context.
  • Have
    flashbacks,
    hallucinations, dream sequences or foreshadowing events. These
    stir the story up, deviations from the expected course add a feeling of urgency
    and uncertainty to the narrative.
  • Introduce
    a new mystery.
    If there’s something that just doesn’t add up, a big question mark, the story becomes more
    compelling. Beware: this can also cause you to sink further into the mire.
  • Take
    something from your protagonist.
    A weapon, asset, ally or loved one. Force
    him to operate without it, it can reinvigorate a stale story.
  • Twists
    and betrayal.
    Maybe someone isn’t who they say they are or the protagonist
    is betrayed by someone he thought he could trust. This can shake the story up
    and get it rolling again.
  • Secrets. If
    someone has a deep, dark secret that they’re forced to lie about, it’s a good
    way to stir up some fresh conflict. New lies to cover up the old ones, the
    secret being revealed, and all the resulting chaos.
  • Kill
    someone.
    Make a character death that is productive to the plot, but not “just because”. If done well, it affects
    all the characters, stirs up the story and gets it moving.
  • Ill-advised
    character actions.
    Tension is created when a character we love does
    something we hate. Identify the thing the readers don’t want to happen, then
    engineer it so it happens worse than they imagined.
  • Create cliff-hangers.
    Keep the readers’ attention by putting the characters into new problems and
    make them wait for you to write your way out of it. This challenge can really
    bring out your creativity.
  • Raise the
    stakes.
    Make the consequences of failure worse, make the journey harder.
    Suddenly the protagonist’s goal is more than he expected, or he has to make an
    important choice.
  • Make the
    hero active.
    You can’t always wait for external influences on the
    characters, sometimes you have to make the hero take actions himself. Not
    necessarily to be successful, but active
    and complicit in the narrative.
  • Different
    threat levels.
    Make the conflicts on a physical level (“I’m about to be
    killed by a demon”)
    , an emotional level (“But that demon was my true love”) and
    a philosophical level (“If I’m forced to kill my true love before they kill me,
    how can love ever succeed in the face of evil?”)
    .
  • Figure
    out an ending.
    If you know where the story is going to end, it helps get
    the ball rolling towards that end, even if it’s not the same ending that you
    actually end up writing.
  • What if?
    What if the hero kills the antagonist now, gets captured, or goes insane? When
    your write down different questions like these, the answer to how to continue the
    story will present itself.
  • Start
    fresh or skip ahead.
    Delete the last five thousand words and try again. It’s
    terrifying at first, but frees you up for a fresh start to find a proper path. Or
    you can skip the part that’s putting you on edge – forget about that fidgety
    crap, you can do it later – and write the next scene. Whatever was in-between
    will come with time.

Posted: April 16, 2016 in Uncategorized
Tags: ,

into-theuniverse:

Orion in Red & Blue

Featuring: Barnard’s Loop (across the bottom), Orion Nebula (right of center), Flame Nebula, Horsehead Nebula (left of center)

Posted: April 16, 2016 in Uncategorized
Tags: ,

just–space:

Blokken, Sortland, Kingdom of Norway: Stars and the Aurora Borealis

js